Sam leaps into Frank Bianca, a popular hairdresser in 1980’s Beverly Hills. When Frank’s girlfriend’s son Kyle witnesses a drug-related murder, Sam finds himself trying to convince the boy’s mother, Laura, that they have to go to the police. Laura refuses, especially since Kyle’s father was actually killed in retaliation for testifying against another murderer. Nonetheless, Laura and Kyle are fated to be killed over the incident. Sam and Al eventually realize that the police officer Sam has been relating to is the actual murderer, before discovering that one of Frank’s co-workers, a woman named Chloe, is the real force behind the criminal activity. The situation is bleak but Sam and Laura are able to stop Chloe. Frank and Laura get engaged as Sam leaps.Continue reading Quantum Leap – Permanent Wave [4.5]
Every week in 2018, the plan is that my friend Rod is going to ask me some geeky question that will answer in a post. This week is Week #26, and this question is one that Rod has had out to me for a while but I haven’t known how to deal with:
How would you do a “gritty reboot” version of Peanuts, the famed comic strip by Charles Schultz, as if it were being created by Christopher Nolan?
I’ve found “Looper” a challenging film to write about. The log-line looks exactly like something I’d really get into with it’s high concept time travel (criminals from the future send people they want to be killed into the past to be gunned down by “loopers” – hit men who then dispose of the body where future technology cannot find it. One day looper Joe Simmons recognizes his latest victim as…himself. What will he/they do?) Unfortunately, the actual viewing proved less satisfying. Continue reading Looper