In two days, I will turn fifty. Or maybe you could say, I will achieve fifty years old, finishing my 50th year. To celebrate (at least, on this blog), we’re taking a look back and picking a film from each year of my life that I think is notable. My birthday is June 7, so each film came out in the year that began on that date, according to Wikipedia.
Continue reading Fifty Years: Fifty Movies – part four
Yesterday is an interesting little romantic fantasy written by Richard Curtis and directed by Danny Boyle, about a struggling musician Jack Malik (Himish Patel) suddenly becoming the only person on earth to remember the Beatles and their music. This shift in the status quo is courtesy of some barely explained blah-di-blah-blah-fantasy-blackout-head-injury-thing, but it scarcely matters. The emphasis isn’t on the mechanics of it, but how Jack responds, and what it does to him and his relationships.
Mild spoilers ahead.
Continue reading Yesterday (All my troubles seemed so…well, you know)
Like my post a while ago about time travel stories here, the idea isn’t to list the ten greatest non-linear stories. Who could claim such a thing? Especially when I’ve never even seen Rashomon, or Pulp Fiction? But I’m interested in film and storytelling, and recently I’ve been pondering a bit about the idea of non-linear storytelling. This is a phrase that has a broad range of meaning and an equally diverse selection of potential examples.
Image courtesy of posterize / FreeDigitalPhotos.net
Actually, almost every film is non-linear, in the sense that they don’t take place in a continuous uninterrupted flow of time and space. If we take that a super-strict definition, than you have to go to something like Rope (presented in what is supposedly in one continuous take) or High Noon (which has edits, but takes place in real time) to find something that’s not non-linear.
But usually, that’s not what we mean. Continue reading Ten Interesting Non-Linear Movies